Anti-Surrealism

Anti-Surrealism, as can be understood, is put forward as a reaction to Surrealism. Despite the fact that Surrealism reveals all the sensual desires of man, and therefore poses a danger to the morals, traditions and customs that make us who we are, the aim of Anti-Surrealism is much more than a prejudice to suppress suppressed feelings or enthusiasms; Of course, suppressing the suppressed further increases their explosive potential and the enormity of the consequent destruction. Instead, it serves to weaken or destroy those unwanted and therefore suppressed feelings or enthusiasms. This is the purpose of anti-Surrealism.

It is possible to see that such an intention is present in many works of art. However, these are works in which there is a relative awareness, imprecise or loosely made. No matter how high quality these are, the reason why we cannot show them in this stream is that they are outside the wind we blow and they are nameless. Now, knowing what we are doing here and giving it a name, instead of being caught in a wind, we will create a wind as I just said.

This Anti-Surrealism movement has the potential to be used not only in literary works, but also in every branch of art. The works we will create in this chapter will be wide-ranging from a poem to a movie.

In the first place, it is planned to establish the infrastructure of this idea and to determine all the lines of the current, then to continue this by publishing a magazine.

Anti-surrealism is a movement that originated as a response to the surrealism movement during the early 1900s. Surrealism was an artistic movement that sought to break away from traditional forms and techniques by using dreamlike images, irrationality, and focusing on the unconscious mind. However, anti-surrealism rejected these concepts and instead emphasized realism and rationality.

Anti-surrealism emerged due to the perceived excesses of surrealism, particularly its preoccupation with the personal expression of the artist and lack of consideration for social and political issues. The anti-surrealists criticized surrealism's use of automatic drawing and other techniques that produced random and meaningless images instead of something with coherence and purpose. They believed that art should have a clear message and that the artist should have control over the creative process.

Prominent figures in the anti-surrealism movement include Georges Bataille, who believed that art should be a tool for social and political change, and Edward Hopper, who rejected surrealism's use of dreamlike images in favor of realistic depictions of everyday life.

In conclusion, anti-surrealism emerged as a response to surrealism and emphasized realism and rationality. It challenged the assumptions of the art world and called for artists to use their work to address important social and political issues.

Anti-surrealism was not just limited to the art world but also had a significant impact on literature, philosophy, and other areas of culture. The movement rejected the surrealists' tendency to focus on individual dreams and experiences and instead emphasized the importance of social and political issues. This led to the emergence of a new kind of literature that focused on realism and rationality, showcasing a clear socio-political message.

The anti-surrealists also believed that art should have a purpose beyond personal expression. They were critical of surrealism's emphasis on the subconscious and believed that it was important for artists to engage with the world around them and address real issues. This led to the emergence of works that tackled topics like the Great Depression, war, and racism.

One of the most significant contributions of anti-surrealism was the development of a new art form called social realism. Social realism was a style of art that aimed to depict the harsh realities of life and the struggles faced by working-class people. This was a significant departure from the idealized depictions of reality that were popular in earlier art movements.

Anti-surrealism also had an impact on philosophy and critical theory. The movement's emphasis on realism and rationality influenced the development of critical theory, which aimed to challenge the dominant ideologies of the time.

Overall, anti-surrealism was an important movement that challenged the assumptions of the art world and called for greater social and political engagement in art and literature. It led to the development of new art forms and a renewed focus on realism and rationality.