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Ink-Stained Shame

The words he couldn't send became the fire he couldn't extinguish.

By HAADIPublished about a month ago 5 min read

Rain lashed against the grimy window of Elias's studio, each drop a tiny drumbeat against the hollow in his chest. Dust motes, thick and slow, drifted in the single shaft of weak afternoon light that pierced the gloom, illuminating a space crammed with forgotten canvases, dried-up tubes of paint, and a half-eaten box of cereal on the floor. He hadn't touched a brush in months. His hands, once quick and certain, now felt heavy, useless things.

A stack of overdue bills sat on his rickety desk, a silent, growing accusation. Each red letter, each bolded 'FINAL NOTICE,' was another nail in the coffin of whatever foolish dream he’d once clung to. He ran a hand over his face, stubble rough against his palm, the same stubble he’d worn for days, maybe weeks. Time blurred. Days bled into nights, all of them tasting of stale coffee and failure.

It had been after the last rejection, the one from the Bellwether Gallery. Not just a polite 'no,' but a scathing critique, delivered with a smug smile by some fresh-faced assistant. His masterpiece, his grand statement, called 'derivative,' 'lacking originality,' 'technically proficient but utterly soulless.' The words had sliced him open, bled him dry. He’d stumbled back to his apartment that night, the city lights blurring through a haze of tears and fury, and just… stopped.

Stopped painting. Stopped dreaming. He’d pulled out a sheet of cheap lined paper, the kind he used for grocery lists, and a pen with a chewed-up cap. He hadn't known what he was going to write, only that the need to articulate his defeat, to lay it all bare, was a physical ache in his gut. He’d started with ‘Dear Professor Davies,’ the old bastard who’d seen something in him once, then ripped him apart with an artist’s precision.

The letter had been a torrent of excuses, really. A pathetic litany of blame. The world wasn’t ready for his vision. The critics were hacks. The galleries only cared about names, not raw talent. He’d poured out his self-pity, his exhaustion, his rage at the system, at the fickle nature of inspiration, at the crushing weight of expectation. He'd even blamed Davies, a little, for pushing him so hard, for making him believe he could be something more than just another guy with a knack for shading.

He remembered writing, ‘I’m done, Professor. Finished. I tried. God, I really tried. But it’s not enough. I’m not enough. This life… it’s a lie. The hunger, the endless striving. For what? So someone can spit on it? I’m hanging up the brushes. Selling the easel. Moving back to whatever dead-end town will take me. Please, don’t try to talk me out of it. There’s nothing left to save.’

He’d written until his hand cramped, the ink smudged in places where a tear had fallen, or maybe just sweat. He’d folded it, pressed it into an envelope, even addressed it. The stamp was stuck, half-peeled, to the top corner of the desk drawer where he’d tossed it. He remembered staring at it, the envelope a white rectangle of surrender, and a strange, hot knot tightening in his stomach. He couldn’t do it. Couldn’t seal his own fate with a stamp. So he hadn’t. He’d just shut the drawer, and tried to forget it was there.

Months stumbled by. He picked up shifts at a diner, scrubbing grease from the flattop, stacking plates. The smell of fried onions clung to his clothes, his hair. He walked home most nights, head down, shoulders hunched against the indifferent city. The Bellwether critique still gnawed at him, a dull, persistent ache behind his ribs. Every time he saw a blank canvas, his gut twisted. It was easier to pretend the art, the ambition, had never existed.

One particularly brutal Tuesday, the electricity cut out. He fumbled in the dark for a flashlight, cursing under his breath. His fingers brushed against something stiff in the back of the junk drawer – old receipts, a broken keychain, a dried-up glue stick. And then, the envelope. The unsent letter.

He pulled it out, the paper crinkled, slightly yellowed. He carried it to the window, letting the last of the weak light fall across his own messy handwriting. He ripped it open, slowly, a strange mix of dread and morbid curiosity blooming in his chest. He read it again, word for agonizing word, the flashlight beam cutting a harsh circle over the page.

His face, reflected in the dark glass of the window, tightened. He saw the whining, the self-pity, the desperate plea for validation hidden behind a wall of manufactured anger. ‘There’s nothing left to save.’ The words jumped off the page, spitting at him. He heard the voice in his head, his own voice from months ago, weak and broken. It sounded pathetic. Despicable.

A hot flush crept up his neck, then spread to his cheeks. Shame, yes, but something else, too. Something sharper, colder. This wasn't him. This *couldn't* be him. This wasn't the Elias who’d spent years sacrificing everything, bleeding his soul onto canvas. This was a defeated ghost. A shadow. And the very idea of sending *this* to Davies, to the man who'd once called him 'a stubborn mule with vision,' made his stomach churn with a furious disgust.

He stared at the words, his own words, condemning him. He crumpled the paper in his fist, a tight ball of self-loathing, then slowly, deliberately, smoothed it back out. This wasn't a confession. This was a marker. A line drawn in the dirt. He wouldn't be this person. He couldn't be. Not while that letter existed, a constant reminder of how low he’d sunk, how close he’d come to truly giving up.

He laid the letter flat on the desk, not as a monument to his failure, but as a challenge. He didn't need to send it. He needed to prove it wrong. Every single bitter, whining line. He stood there for a long moment, the chill from the window seeping into his bones, but a different kind of warmth, slow and steady, began to spread through him. A familiar tightness in his jaw. A spark behind his eyes that had been dead for too long.

He walked over to the stack of canvases, the clean, untouched ones, and pulled the largest one free. It felt heavy in his hands, solid, promising. He found his old box of charcoal, blew the dust off the lid. His fingers, still heavy, still a little unsure, closed around a stick of charcoal. He stared at the blank white expanse before him. It was terrifying, yes. But it wasn't insurmountable. Not anymore. He lifted the charcoal, the first hesitant stroke about to begin.

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About the Creator

HAADI

Dark Side Of Our Society

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