Fugue for the Distant Shallows
in which the water listens before it speaks

It begins like this: a hush
carved from the edges of everything
the porch railing warm from the long wait of noon,
a single bee, late, drunk
tumbling past the frame of the open screen door
And suddenly
the light leans in differently
Not brighter, not even warmer
but with a weightless intent
like it knows a secret
and isn’t sure if you’re ready to hear it
A pane of glass does not declare its clarity
it simply stops being seen
So too the lake this morning
not rippling, not still
held in that old tension
between wanting and letting be
You are barefoot
You are almost nothing
And the wooden dock you stand on
carries the memory of all its dry summers
faded splinters, sun-bleached screws
that creak like a body remembering
how to kneel
This is the part where time folds
creases like linen between seasons
and you remember a voice
not what it said
but how it paused between syllables
Everything delicate lives here
the breath before apology
a reed poised with weightless punctuation
your reflection when you’re not looking for it
There is a kind of forgiveness
that requires no sound
Only the understanding
that light does not choose what it touches
and yet, it touches
You inhale. The dock exhales
Something turns in the dark undercurrent
like a thought you almost caught
Nothing breaks the surface
but something begins
About the Creator
Tim Carmichael
Tim is an Appalachian poet and cookbook author. He writes about rural life, family, and the places he grew up around. His poetry and essays have appeared in Beautiful and Brutal Things, his latest book.


Comments (1)
Loved these lines "A pane of glass does not declare its clarity it simply stops being seen" 👏