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metamorphose

inspired by Bernini's sculpture, Apollo et Daphne

By Isabella NesheiwatPublished 2 months ago 1 min read
study of Apollo et Daphne painting by Rene-Antoine Houasse (1677)

She is already leaving her own skin,

when his hand brushes hers in vain;

her pulse loosens, letting bark begin,

and sap learns the language once held by vein.

*

The moment holds like amber light,

her ribs rise once with human breath;

then wood gathers close, pulling her from sight,

the forest reclaiming her from death.

*

Her fingers tremble toward the sky,

loosening into leaves of green;

a new grammar humming as they fly,

a syntax older than she’d been.

*

He calls her name—sound fades to shade;

for names are nothing once light replies.

Roots spread through ankles unafraid,

seeking the deep where memory lies.

*

Her spine lengthens in a tender flight,

unmaking the form he tried to seize;

each heartbeat fleeing marble’s bite,

each gesture stalled in sculpted breeze.

*

His grief is carved in desperate chase,

her freedom carved in turning free;

between them lives the threshold space—

the cry of a body choosing what to be.

*

She is not running—she returns

to the quiet soil that bore her true;

her leaves outsing the crown he yearns,

breathing a story he never knew.

*

And beneath the marble’s frozen sway,

beneath the shine no chisel can betray,

the earth instructs her day by day

in how to root, and how to stay.

**

Ekphrastic

About the Creator

Isabella Nesheiwat

An emerging author and poet (mostly) of Greek mythology retellings. Read more on Substack (bellaslibrary99). Debut collection out now: Turning & Turning (the book patch bookstore) <3

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Comments (1)

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  • Natalie Wilkinson2 months ago

    This is one of my favorite stories. You’ve retold it well.

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