Puppet of the Unseen
Dancing on the thin line between being and void

Two steps forward,
a hundred steps back.
The most visible of invisible threads
make me dance to their tune
and drag me
into nameless directions.
Within me
there is a strangely powerful urge
to want
nothing at all.
In the faint glimmer of my nonexistent existence
there lives a quiet, stubborn longing
for non-being.
I push myself
toward danger,
hoping
the bird of nothingness
might choose me,
take me into its arms,
and hide me
forever
beneath its wings.
Everything I was supposed to know — I know.
And yet
I remain
overflowing with unknowns.
I like to think
I am not the puppet
of this shadow play of a world,
and yet
more than any puppet,
I am bound
to strings.
An invisible cord
is knotted to my being
and pulls me
mercilessly
from side to side.
And resistance —
an empty word.
Is it not true
that we are all
playthings of a fate
whose name we hardly dare to speak?
I am weary
of this hollow world —
even more
of the emptiness dwelling within me.
Wherever I go,
I arrive
at the same end:
void,
nothingness.
Non-being
is the truest form
of my being.
I have tasted nothingness,
and its sweetness
has lingered on my tongue —
for existence
has never
placed any fruit
in my hands.
I have not walked
the path from being to nothingness,
for I have never
truly lived
in the realm of being.
Cast out from existence,
left behind by nothingness.
I no longer care
which hands
led me to the edge of this void —
I was empty
long before.
People
are my oldest wound.
Their presence,
their absence —
both
are forms of torment.
I do not want them.
Their existence
is merely another footnote
to nothingness.
They walk you
to the edge of the cliff,
and the moment
you stand there,
they begin to blame you.
They never show you the road,
yet
they expect you
to have memorized
all of existence.
And in the end,
it is you —
the one who slipped
toward nothingness —
who is marked
by their cold fingers:
Rejected.
About the Creator
Nicole Moore
It’s a melancholic diary.

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