I came to this tent to learn;
to know something more of myself
and why my past still haunted my present.
I sit in a circle of human feet
facing a central fire yet to be lit.
Avoiding eye contact with strangers,
I drink the tea handed to me,
lying back to await the experience
of being taught by a teacher of truth,
of the deep places of life.
With eyes closed, my inner world
is revealed in tapestries of light and shade,
sound and silence, color and void.
Someone giggles and it ripples through my body,
felt by cells of skin and bone alike,
by places I hadn't felt since I was a boy,
before awareness had been beaten out of my body
by the whips and canes of lesser teachers,
in that strange system of reward and punishment
which left me terrified of doing wrong,
and vigilant for approval from those
who my mind said were authorities.
Songs are sung by our human guide,
notes and tones which can be seen in the fractals of color
that paint the backs of my eyelids,
and shimmer, as though water had been
patterned with geometric precision
and overlaid with a veil of iridescence.
The waves of mushroom chemistry intensify,
taking me to that edge of psychosis, of the fear
that I no longer have solid ground to stand on;
that the world that I thought was so solid and stable,
is now as wobbly as gelatin and far more transparent.
The guide sings again, accompanied by crystalline sounds
which can be tasted on my tongue
and leave the scent of flower essences in my nose.
But it is the flesh that has my attention.
The tools of four senses are held in the head
and schooling pressured the childish delights of my body
up into the cranium, away from the wildness of the ground below,
so that I could study and remember and think.
Oh thinking! So much thinking!
The head is not designed to contain the soul.
Smells are meant to connect to draw us closer to soil,
to the aroma of flowers and the earthy scent of dark humus
from which rooted ones can grow.
Sounds were birthed to be felt in the depths,
to move us, to breathe us, so our feet tap,
our legs step, our arms cut shapes in the air
and our spine waves.
Dancing, it is called. Even our organs dance to the right song.
Sights of color and form were designed to be breathed,
past the eyes and brain, to delight the spleen and gut,
to remind the bones that their ingredients
sprang from the trees and grasses that stand majestically
before me, from the soil and sand, the blue sky that I breathe
and the white clouds that I drink.
And tastes! May whatever I taste be offered to my soles,
so that each time I kiss Earth with a footstep,
I offer the tastes that my tongue has been gifted with today.
I have no words for what this teacher taught.
I only know that this class opened a door,
for my inner child to return from the realm of thought,
to the home that was always his,
where he can play once more in this bodily garden of delight,
and at the end of the day,
his creative energy thoroughly spent,
sit by the hearth of my heart,
and drink in the simple joys of being a body.
About the Creator
Philip Gardner
I'm a writer, a poet, a facilitator, a gardener and an ecologist. I like the see the connections between all things, and love to draw in all that has been marginalized in our world; to remember that they too need love.


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