Latest Stories
Most recently published stories in Art.
My Sweet-Thang: Loving You in the Quiet Spaces
Love is often described through grand gestures—flowers, promises, and dramatic declarations. But real love, the kind that settles deep into the bones, rarely announces itself loudly. It arrives softly. It stays quietly. And somehow, it changes everything. That is what you are to me, my sweet-thang. You are not the noise in my life. You are the calm that follows it. In a world that constantly demands attention, speed, and perfection, you exist like a pause—a breath I didn’t know I was holding until you showed me how to release it. Loving you does not feel rushed or forced. It feels natural, like something my heart always knew how to do, even before it knew you. What makes you special isn’t something that can be easily explained. It’s in the way you listen—not just to my words, but to the silences between them. It’s in how you notice the small shifts in my mood before I even understand them myself. It’s in the comfort you offer without being asked, and the patience you show without keeping score. You love me in ways that don’t need proof. With you, I’ve learned that love doesn’t have to be loud to be powerful. It can exist in shared glances, late-night conversations, and the simple reassurance of knowing someone is there. Even when nothing extraordinary is happening, being with you feels enough. That’s a rare thing. There are days when the world feels heavy—when responsibilities pile up, when doubts creep in, when exhaustion settles deeper than sleep can fix. On those days, you don’t try to fix me. You don’t rush me toward positivity or pretend everything is fine. You sit with me in the discomfort, and somehow, that makes it lighter. That’s love in its truest form. I don’t love you because you complete me. I love you because you understand me. You allow me to be myself—unpolished, uncertain, and still worthy of care. With you, I don’t feel the need to perform or pretend. I can simply exist, and that existence is met with warmth instead of judgment. You’ve shown me that love is not about possession, but presence. Being with you has changed the way I see affection. It’s no longer about constant excitement or dramatic highs. It’s about stability. About choosing each other, again and again, even on ordinary days. Especially on ordinary days. Because ordinary days are where life truly happens. My sweet-thang, you are the kind of love that doesn’t fade when the excitement settles. You are the kind that deepens. The kind that grows roots. The kind that feels safe enough to last. I don’t know what the future holds. I don’t pretend love guarantees certainty or perfection. But I do know this: loving you feels honest. It feels real. And in a world full of temporary things, that reality is rare and precious. You are not just someone I love. You are someone I choose. Every day. In quiet ways. With a steady heart. And that, my sweet-thang, is everything.
By Zahid Hussain24 days ago in Art
The Fake Fishermen
When Akbar Khan saw one of his goats slipping down the hillside, he hurriedly jumped across the rocks and ran down the slope. The goat managed to save itself from falling, but Akbar Khan could not keep his balance. His foot became tangled in a bush, and he slipped down the slope toward a muddy swamp. While falling, his hand caught hold of a bent tree branch, which saved him from sinking into the mud. Holding the branch tightly, he slowly made his way back up the slope. After reaching the top, he breathed a long sigh of relief.
By Sudais Zakwan25 days ago in Art
Ida Shaghoian and the Landscapes of Inner Light. AI-Generated.
In an era when much contemporary art favors immediacy and bold declaration, Ida Shaghoian offers something quieter and more inward. Her paintings invite viewers into spaces shaped by feeling rather than fact, where light, color, and texture operate as emotional language. Landscapes appear, but they are not destinations. They function instead as vessels for reflection, carrying traces of memory, stillness, and transition. Through abstraction softened by suggestion, her work opens a contemplative dialogue between the external world and the internal self.
By Ida Shaghoian25 days ago in Art
The Theft of Three Hundred Thousand Rupees
The Theft of Three Hundred Thousand Rupees (Article No. 1427) Bano and Shehla, the sisters of Mansoor and Munir Shami, studied at Tower House Grammar School, a private institution run by Begum Nayab, who was both its owner and principal. She was known as a kind, intelligent, and principled woman. Her school, which offered education from playground to matriculation, had an excellent reputation. Parents from far-off areas sent their children there because of its strong discipline and high academic standards.
By Sudais Zakwan25 days ago in Art
Why John LoPinto Values Intentional Travel Over Speed and Volume
In a world that celebrates movement and accumulation, travel has increasingly become about speed and volume. More destinations, tighter itineraries, and constant motion are often seen as markers of experience. John LoPinto takes a different approach. He values intentional travel over rapid consumption, believing that depth of experience matters far more than distance covered. For him, travel is most meaningful when it creates understanding, not just memories.
By John LoPinto25 days ago in Art
John LoPinto on Travel as Perspective
Travel is often viewed as leisure or escape, but John LoPinto sees it as something more purposeful. For him, travel is a tool for perspective. By exploring new markets, cultures, and operating environments, leaders sharpen their strategic thinking and gain insights that are difficult to access from a distance. Exposure to unfamiliar contexts challenges assumptions and strengthens decision making.
By John LoPinto25 days ago in Art
Creativity in the Dark
Creativity does not always arrive in bright rooms with clean desks and clear intentions. More often, it slips in quietly—late at night, when the world has dimmed its expectations and the mind is no longer on display. This is creativity in the dark: private, unpolished, and deeply human.
By LUNA EDITH25 days ago in Art
