
Sean Patrick
Bio
Hello, my name is Sean Patrick He/Him, and I am a film critic and podcast host for the I Hate Critics Movie Review Podcast I am a voting member of the Critics Choice Association, the group behind the annual Critics Choice Awards.
Stories (1971)
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Movie Review: Short Term 12
With the release of The Glass Castle on August 12, director Destin Daniel Cretton is stepping into his first major Hollywood feature. Will he be ready for the pressure that comes with bigger budgets, bigger stars, studio involvement, and the inherent issues that come from attempting to adapt a vaunted best-selling memoir to the big screen? That question will only be answered in a review of The Glass Castle. What we do know is, if The Glass Castle is half the movie that Cretton’s breakthrough feature Short Term 12 is it will be worth the price of a ticket.
By Sean Patrick8 years ago in Geeks
Movie Review: Can't Buy Me Love
Can’t Buy Me Love is bankrupt at its core. The 1987 teen comedy starring Patrick Dempsey and the late Amanda Peterson has the trappings of a sweet 80s teen comedy about nerds and popular kids but lacks something in its heart. There is a cynicism at the center of Can’t Buy Me Love that the makers attempt to paper over by rushing to a climax that never feels right or especially earned.
By Sean Patrick8 years ago in Geeks
Review: Detroit
Recently I listened to Malcolm Gladwell’s incredible podcast Revisionist History and in the very first episode he discussed a fascinating sociological concept called Moral Licensing. Moral Licensing is in essence doing something that is right and then using that right action, essentially a good deed, to justify bad behavior. Gladwell’s example was a painter in 19th Century England, Elizabeth Thompson, whose painting, titled Roll Call, became the first by a female artist to take a respected placement in the Royal Academy of Art. Unfortunately, the good deed by the male dominated Royal Academy of featuring the remarkable painting gave them, in their minds, the bona fides to justify not electing Thompson to become a member of the Royal Academy. They’d done their good deed and had nothing, in their minds left to prove.
By Sean Patrick8 years ago in Geeks
Movie Review: Stakeout Turns 30
Stakeout exists in a bizarre space in our popular memory. The action-comedy starring Richard Dreyfuss and Emilio Estevez opened the first weekend of August, 1987 at the top of the box office. The film went on to rank in the top 10 highest grossing films of the year and earned mostly positive reviews from critics. Then, it simply faded from memory. Sure, 6 years after the release of Stakeout they got around to making a bad sequel, shoulder shruggingly titled Another Stakeout, that did the original film no favors, but why did this successful movie mostly disappear from popular memory?
By Sean Patrick9 years ago in Geeks
Movie Review: Kidnap
Halle Berry has been on an astonishing losing streak at the box office since she won the Academy Award for her starring role in Monster’s Ball. Ever since the night she won people’s hearts with her teary and historic Oscar acceptance speech, Berry has made one wrong turn after another whether making bad big budget comic book movies, all X-Men sequels or spinoffs, or bad low budget thrillers, Perfect Stranger, Gothika, The Call, or head-scratching, defiantly awful fare such as Movie 43, Cloud Atlas and Catwoman, Berry seemed bent on full career sabotage.
By Sean Patrick9 years ago in Geeks
Movie Review: The Dark Tower
To whomever said that Stephen King’s epic novel The Dark Tower was un-adaptable to the big screen, we owe you a Coke. The supremely silly movie sequel to King’s dense Dark Tower book series is an embarrassment to all involved from King to director Nicolaj Arcel to Academy Award winning star Matthew McConaughey and Academy Award nominated producer Ron Howard, who for some reason passed on directing The Dark Tower himself; golly, I can’t imagine why?
By Sean Patrick9 years ago in Geeks
Movie Review Masters of the Universe 30 Years Later
The legendary John Waters once defined camp, on an episode of The Simpsons, as “The tragically ludicrous, the ludicrously tragic.” The 1987 movie Masters of the Universe pre-dates that definition of camp by more than a decade but nevertheless defines it perfectly. Masters of the Universe is a tragically ludicrous idea undermined by greed, hubris and the outright silly notion that just because something catches on with child audiences it can be translated to film in anything other than a pathetic attempt at pandering.
By Sean Patrick9 years ago in Geeks
Movie Review: The Legend of Ben Hall
We have a tendency in America to believe that our pop culture is the only culture to embrace our anti-heroes, those rugged criminals whose lives we romanticize into fantasy for reasons we can’t quite rationalize with what these men did. But rhapsodizing about the criminal as pseudo-hero is a truly worldwide phenomenon. The latest example of the worldwide nature of the celebration of anti-heroes comes from Australia with the story of criminal icon Ben Hall, the subject of the Bushranger epic The Legend of Ben Hall which is now available on DVD and On-Demand services in America.
By Sean Patrick9 years ago in Geeks
Movie Review: Opening Night
Opening Night has the kind of scrappy charm that you want out of a musical. It’s shaggy and flawed but it’s also fun-loving and freewheeling. The story of a Broadway stage manager struggling with personal demons from his own seemingly failed Broadway career, the movie may not have the polish of a Hollywood production but it makes up for it with moxie and the can-do spirit of an underdog production with nothing to lose.
By Sean Patrick9 years ago in Geeks
The Living Daylights Turns 30
Okay, you might be wondering what kind of BS I am trying to pull here by not writing my own review of The Living Daylights. After all, I reviewed The Lost Boys, Adventures in Babysitting and La Bamba, so why not celebrate 30 years of Timothy Dalton's version of 007? The answer is simple and oddly controversial; I am not, nor have I ever been, a fan of the James Bond movies.
By Sean Patrick9 years ago in Geeks
Movie Review: The Lost Boys Turns 30. Top Story - July 2017.
The Lost Boys turns 30 years old this weekend, July 28th, 2017, and the movie has not aged well. While it’s not quite the embarrassment that was the Twilight movies, The Lost Boys is bad in its own unique ways. While nostalgia might cloud fans of the Coreys’ first team up (Haim and Feldman for those aren’t fans of Tiger Beat circa 1987) the reality of The Lost Boys is that director Joel Schumacher is an epically bad filmmaker and teamed with a cast of not ready for primetime teenagers, and a minimal budget, Schumacher’s modest talents are entirely overwhelmed.
By Sean Patrick9 years ago in Geeks












