Vicki Bluth

Good Hands

I was supposed to be a ballerina. I was dancing at four. Seriously. As a backup my mother enrolled me in art lessons, also at four, also serious. I was, then, an only child. I was never very good with the pirouettes, but I loved drawing Humpty Dumpties. By the time I was eight I was pushing back on ballet class, but was happily drawing chalk designs on the sidewalk. At about this same time my maternal grandmother taught me to sew. We spent hours together sitting at her black Singer sewing machine, designing and stitching clothing for Madam Alexander and Tony dolls. (I am old.) At sixteen I reached the height of my ballet success as a Snowflake "understudy" in the Ballet West production of The Nutcracker. Yep, an understudy, after years and years of "under achievement" and self-inflicted foot pain. I neglected to mention that I am "thick" of body...not lithe, thin, willowly...or any of those words used to describe those who made up the actual Snowflake Corps de Ballet. I was an awkward cygnet who would not transform into a dancing swan ever. Anyway, at that same time, I was loving my high school art classes. OK, so here is what happened. I quit ballet. As it turned out, my hands worked so much better than my feet. If we had just figured that out earlier. I loved art. I loved craft.