Movie
Fear of a Black Hat. Content Warning.
Fear of a Black Hat, a Rusty Cundieff film, is one of my all-time favorite movies when I need to laugh. We’re talking Kentucky-Fried Movie territory. You want the uncut version, otherwise you don’t get the Ice Froggy Frog video (below) at the beginning or the discussion about artistic integrity in Cleveland. I own the cut version (😥)—couldn’t find the uncut version at that time, no extra money for it right now, but you aren’t me, so buy the uncut version.
By Harper Lewis28 days ago in Critique
Understanding the P. Diddy Controversy and the 50 Cent Factor
For over three decades, the name Sean "Diddy" Combs was synonymous with the pinnacle of American success. From the glitz of the "White Parties" in the Hamptons to the chart-topping dominance of Bad Boy Records, Diddy wasn't just a mogul; he was a gatekeeper of culture. However, by 2025, the music industry’s most polished facade finally cracked. What followed was a legal and social collapse so comprehensive that it transformed a global icon into a cautionary tale of power, ego, and accountability.
By Teodor Monescuabout a month ago in Critique
"Challengers" Movie Review
Challengers is a triumphantly sexy cinematic rollercoaster ride, too incredulously fun not to watch. Tashi Duncan is played by Zendaya, the exceptionally emotive young movie star. Matched against her are two gorgeously nerdy-looking young players, Mike Faist as Art Donaldson and Josh O’Conner as Patrick Zweig. All three have the blessing of great chemistry whenever they spar across screen. Alongside their star qualities are bouncing timelines, demonstrating a lifetime of flagrantly competitive choices that create a trail of wasted potential and misguided lust. Director Luca Guadagnino really knows how to make a graceful yet scandalous picture. Trent Reznor and Atticus Ross's EDM score intensifies the thrill of tennis and prideful characters up to an eleven. After watching Challengers multiple times, I am forced to argue that all sporting events should henceforth take place at a fist-pumping rave. When first hearing about this movie, I thought the entire plot had been offered up within the two-minute trailer. Two friends like a tennis star. Tennis star has a career-ending injury. Tennis star picks blonde boy, and brunette boy is angry. Audience members think they have digested the full ingredients of the film before getting their soles sticky from the theatre floor. Yet, this new-age masterpiece is anything but a simple meal.
By Spider Blackabout a month ago in Critique
Mistakes in Stranger Things - Season 5
Stranger Things 5: A Train Wreck of Lazy Writing and Brand Blunders When Stranger Things first dropped in 2016, it was a masterpiece of atmosphere and tight storytelling. It felt like a love letter to the 80s. Fast forward to Season 5, and that love letter has been shredded. What we got instead was a bloated, nonsensical mess that felt like the creators were just checking boxes to get it over with. It wasn't just a disappointment; it was a total collapse of the logic and stakes that made us care about Hawkins in the first place.
By Teodor Monescuabout a month ago in Critique
Memory
"Memory" Movie Review. This 2023 film is as depressing as it is uplifting. Directed by Michel Franco and the pace is never fast and the viewer needs to pay attention to the little details that are key to the plot. It is more like a foreign film then an American one in that scenes don't necessarily blend into one another, but their relevancy is germane.
By Robert M Massimi. ( Broadway Bob).about a month ago in Critique
H/Jack
Introduction I will be honest, when I saw this advertised on Apple TV the only things that grabbed me were the fact Idris Elba was in it and the title "H/Jack". I have watched a lot of excellent stuff on the channel, most recently "Slow Horses" and "Down Cemetery Road", both absolute must-watch, and "Murderbot" was brilliant.
By Mike Singleton 💜 Mikeydred 2 months ago in Critique
Why Yellowstone Hits Me Wrong
I have spent most of my adult life inside work that does not leave much room for shock. Forensics, behavioral analysis, trauma therapy, law-enforcement training, criminal psychology, and animal-cruelty investigations expose you to the kind of decisions people make when they believe they are cornered, justified, or invisible. You see what violence looks like without lighting or sound design. You also learn that real danger does not need theatrics. It announces itself in quieter ways. That background shapes how I respond to media. It also explains why I cannot sit through “Yellowstone,” even though many people assume I would be the perfect audience for it.
By Dr. Mozelle Martin2 months ago in Critique
