Movie

Terminator 2: Judgement Day (Critique)
Iconic from the first frame. We have good effects that hold up well, action, time-travel, commentary on the nature of humanity, and 90s floppy hair to end all 90s floppy hair. We've got a filthy, thigh-trembling riff:
By L.C. Schäfer2 years ago in Critique
Does size matter?
Does size matter? Am I critiquing an actual work here? Nope. Just expressing a thought. How big should a link be at the end of an article? I often like my pics for covers, because some Unsplash images make links too large when linked at the bottom of an article.
By Atomic Historian2 years ago in Critique
Journeying Through the Spider-Verse: Unveiling the Magic of Spider-Man's Latest Adventure
Step into the captivating world of animated cinema, where the Spider-Verse franchise has been weaving its magic. The latest addition, Spider-Man Across the Spider-Verse, takes us on a new adventure that's not just visually stunning but also rich in storytelling. Let's journey through the captivating visuals and the emotional layers that make this sequel an experience worth cherishing.
By Mr August2 years ago in Critique
Harry Potter and the Deathly Hallows Criticism
Harry Potter is a wizard. He attends the 'finest school of witchcraft and wizardry' in the world. His best friend is a genius, despite being raised by muggles herself.
By Maddy Haywood2 years ago in Critique
Beauty and the Beast Criticism
Don't get me wrong, I love the Disney Princess movies. But one thing has always bothered me about the magic in this movie.
By Maddy Haywood2 years ago in Critique
Ethereal Symphony
In this captivating artwork, luminous strokes dance gracefully, forming a breathtaking play of light. Yet, while composition echoes brilliance, an opportunity for deeper narrative connection arises. By intertwining thematic elements, this symphony could evoke profound emotions, ensuring lasting resonance in the observer's heart.
By Peter Tanjala2 years ago in Critique
Harry Potter and the Goblet of Fire Criticism
The adverb 'calmly' was used in the book to suggest that Dumbledore was speaking in a peaceful manner. This was seemingly, completely ignored by the film makers, who adapted for the line 'did you put your name in the Goblet of Fire?' to be said in a vicious, nonsensical way.
By Maddy Haywood2 years ago in Critique
A Critique of Prisoners (2013)
Prisoners invites viewers into a whirlwind of tragedy, grief, and humanity's ongoing struggle with the unpredictable evils of this world. Allured by well-executed action sequences, dreary cinematography, a haunting soundtrack, and outstanding acting performances, audiences are challenged to explore the darkest parts of ourselves as we grasp for fleeting hope.
By Bethany Larson2 years ago in Critique
A Tale of Two Cinematic Worlds: Oppenheimer and Barbie Collide in Movie Madness!
Lights, camera, confusion! In a cinematic twist that could only be conjured by the chaos-loving internet, the double feature of the year emerged as a duo you'd never expect—Barbie and Oppenheimer. Yes, you heard that right, it's like someone stumbled upon a Mad Libs book, and out popped this unlikely pairing of plastic dolls and nuclear physics. But hey, what's not to love about a film event that brings together the masterminds behind Barbie and the brain behind Inception? Get ready for a tale of glamour, history, and a dash of "Wait, is this real life?"
By Mr August2 years ago in Critique
Overthinking: Don Bluth's Thumbelina
(NOTE: When reading this please keep in mind that it is intended as a skit to be recorded. Light editing and stage direction are included in this piece. Also be aware there is light profanity.)
By Jean Bruce2 years ago in Critique
Prey (2022)
Amber Midthunder steals the show as the fierce young Comanche warrior, Naru, who defends her tribe from the ferocious Predator. Has beautiful cinematography, tense, edge-of-seat action, unexpected jump scares and actual character development. Naru does not get an easy time, but never gives up. Relentlessly boundary-pushing in the best ways.
By Paul Stewart2 years ago in Critique
The Lord of the Rings: The Cinematic Trilogy
A movie is never the same as the book--yet can render its own full world. Peter Jackson’s vision of Middle Earth accomplishes this through enthralling sets, admirable heroes and heroines, terrible villains, and inspired scenes of comradeship, battle, and hard-won peace. Add in homage to imaginary languages and histories.
By Mark Francis2 years ago in Critique