satire
Science fiction satire presented to mock the many generations of society.
Exoplanetary 001 - The Complete Alice Wolverton
Download MP3Subscribe on iTunes Episode 001 – The Complete Alice Wolverton by C. Christopher Hart Alice Wolverton is looking for a job. Exoplanetary, one of the largest corporations in the solar system, has a job that might take her far. Alice contends with the moral, philosophical, and existential problems of becoming an interstellar traveler in the 26th century.
By C. Christopher Hart9 years ago in Futurism
Kaleidoscope
Chapter One Have you ever stood outside on a clear, starry night and looked up in awe at the heavens? The universe… the myriad stars scattered across the darkling sky. And have you ever thought that it looks vast. Really, really vast! Extraordinarily immense, absolutely humungous! Too massive to comprehend.
By Ian Richardson9 years ago in Futurism
FRACKERS
One premise/motif of our feature film FRACKERS is that every being in the universe is a light being. As Einstein famously figured, "No energy is created or destroyed". We in turn came up with the idea that our light, the light that is us, is also eternal. This fun premise for a film does consider that even our eternal energy might change form, as light can be be both particles and waves, so can our energy break-down from waves into less desirable particles, not to be judgmental.
By Bennett Litwin9 years ago in Futurism
You Must Be THIS Augmented To Kill
“This is not good.” Corporal Korl examined his assault rifle’s ammo counter. Both the distant explosions rocking the desert ground beneath his feet and the acrid smoke billowing from the base behind him were highly distracting, but not so much so to obscure the fact that he was on his last mag.
By James Kuckkan9 years ago in Futurism
An Ontological, Existential, Tripped-Out Tempest in a Cosmic Teapot
Callens combines a touch of Douglas Adams, a dash of Dave Barry, and the allusive dexterity of James Joyce, mixes it up with a whole lotta blasphemy, philosophy, psychology, mythology, history, comparative religion, science, drugs, sex, and rock ‘n roll, to produce one of the most unique books you will ever read.
By Joseph Ferguson9 years ago in Futurism
Illuminati Inc.
Today was Harry Holt’s first day working as a security guard at the old Illumination Tinfoil Company. He drove his small white coop to the front gate, right next to a speaker stand. The building itself was a decrepit, anachronistic factory with ugly, dark red bricks and filthy, broken windows.
By Juan Vasquez9 years ago in Futurism
FB0T
FB0T The serenity of the white abyss is torn apart along with the packaging of her shipping container. Sensors inside activate her processor and ocular cameras as large, sweaty hands feverishly tear at her eco-plastic package, shredding the advertising phrases:
By Elisa Mask9 years ago in Futurism
NEERS
NEERS “I don't wanna hear 'em whine about jail, they're buyin’ n’ selling advanced tech contraband. It’s a safety law!” The man on the satellite radio laughed, his voice echoed in the concrete garage crammed with various metal apparatus. “One accidental chemical exposure, gene splice combo, or free-thinking robot and BOOM; S I N-gularity folks! The tech ban is the best ban!” The man quoted the Gov slogan, alongside murmurs of his co-hosts agreement.
By Elisa Mask9 years ago in Futurism
Reviewing Charlie Brooker’s ‘Black Mirror’, Season 3
When Black Mirror first hit television screens in 2011, it was a quintessentially British creation. Episode 1, The National Anthem, shows an upstanding prime minister blackmailed into live sexual intercourse with a pig. The public responds with cynicism and ironic detachment, mocking the man on twitter, as the media scrambles for a scoop. The episodes that followed continued the condemnation of British culture – Brooker had given us a black mirror, reflecting us at our very worst. In Fifteen Million Merits he showed us powering the workings of an authoritarian regime, bombarded by advertising with an X-factor style talent show our only means of salvation. In White Bear, the justice system has been replaced by a sickening spectacle of psychological torture, with amnesiac criminals forced to relive their crimes, as children watch on. In The Waldo Moment, he shows a disaffected public voting a foul-mouthed CGI bear into office, rather than careerist politicians. The result is a degeneration into violence and fascism.
By Ed Venables9 years ago in Futurism











