science fiction
The bridge between imagination and technological advancement, where the dreamer’s vision predicts change, and foreshadows a futuristic reality. Science fiction has the ability to become “science reality”.
The Sound of Tomorrow
Though best known for their prolific output of audio dramas based on the long-running BBC series Doctor Who, the British company Big Finish Productions has been branching out for several years now. One of their more intriguing ranges has been a series of adaptations based on the works of H.G. Wells, the man who is in many ways the father of British science fiction. Following on their adaptations of The Invisible Man (which starred the late Sir John Hurt) and The First Men in the Moon, the company this month released its adaptation of another of Wells' works: The Shape of Things to Come.
By Matthew Kresal9 years ago in Futurism
In the Author’s Universe: Interview with Sci-Fi Author Cixin Liu
Liu Cixin [writing in English under the name, Cixin Liu] is a science fiction writer from China; a nine-time winner of the Chinese Galaxy Award (Chinese Hugo) and the Xing Yun Award (Chinese Nebula), and the first Asian to win a Hugo Award, in 2015, for his work, The Three-Body Problem (translated by sci-fi author, Ken Liu, and published by Tor Books).
By K.E. Lanning9 years ago in Futurism
A Space Ship Does Not Blow Up on Page Three
Every science fiction writer has something that drives him or her. For many, if not most writers, this is the need to pen a story and have it read, usually by means of publication. A quick visit to the websites of most literary agents or publishers yields one dominant insight into what one must do to achieve this. Write an engaging story with believable characters and immerse the reader in the story within the first few pages. This is sage advice, if you want these folks to notice your work. Often, they won’t read beyond the first few pages and what they’re looking for is engagement, a powerful plot and character-driven hook.
By T.K. Boomer9 years ago in Futurism
On the Evening of the Eighth Day
The One was gone. The created were also gone, but not of their own volition, although if lawyers had existed they’d have found a way to prove that it had been so. A second generation had been born and matured, a generation that had never known the One, other than in ritual, and had yet to meet the Other as their parents had. But a generation yet to be completed in an important manner.
By Guillermo Calvo9 years ago in Futurism
Truth
I was interested in sci-fi stories from the early age. In high school at lunchtime, while others were busy with physical activities, I was busy activating my imagination reading Greek mythology. It was not long before I realized that the imaginary deities portrayed as gods and goddesses in Greek mythology were simply fictional characters created by professional sci-fi storytellers of the time. Those wishful thinking scenarios produced by creative minds of primitive humans were demonstrating the power of imagination, the subconscious mind, and intuition; in absence of knowledge about the physical reality and the world which they had to struggle with, in order to survive. However, the fascinating, inspiring, and motivating stories had always helped me stretch the limit of my own imagination beyond the boundaries of political correctness and religious beliefs.
By Shahram Farshadfar 9 years ago in Futurism
Review of 12 Monkeys 3.8-10
The concluding three episodes of the penultimate season 3 of 12 Monkeys on the SyFy Channel last night -- soon to be rebranded in all caps -- was as good as the first seven, which is to say, superb indeed, and you can put that in all caps any time.
By Paul Levinson9 years ago in Futurism
The Science Fiction of Rollerball Is Nothing Compared to the Facts of Real Life Control
If you’ve never seen Rollerball, stop what you’re doing and dial up the DVD for this 1975 Science Fiction Movie classic. Set in the year 2024, this dystopia puts Bread and Circuses on a violent whirlwind that’s engineered to keep the world’s corporate overlords out of the crosshairs. As such, revolving door heroes are amply provided and give the population cause to question the saccharin surroundings they live in. That is until each warrior meets their predetermined end and complacency has no other choice but to comply. Great Science Fiction but real control is so much easier.
By Rich Monetti9 years ago in Futurism
The Clowns of the Moon
Langston grimly watched the sad-looking clowns go through their routines. The dire moon, with its grey valleys and thin ponds of aquamarine goo, had enough difficulties, the inhabitants eking out an existence from mined stones and subsisting on common dehydrated fruits and flat slabs of compressed meat simulations, without being reminded of the drearier side of life by downbeat performances.
By Brian K. Henry9 years ago in Futurism
Review of 12 Monkeys 3.5-7
A superb, punching, philosophic triad of episodes 3.5-7 of 12 Monkeys last night, with Jennifer's most memorable line coming in 1953, "a thing for Asimov". This has almost nothing to do with the story, but it's meta-beautiful, since Asimov's The End of Eternity -- from around three years in the future, in 1956 - has always been, to my mind, at least, since the day I first read it back in 1959, the best single time travel novel ever written.
By Paul Levinson9 years ago in Futurism
