art
Artistic, musical, creative, and entertaining topics of art about all things geek.
Why twisted erotic thriller Crash still stuns, 25 years on
On Monday 3 June 1996, any Londoner who picked up a copy of the Evening Standard newspaper on their way home from the office would have paused when they reached the headline: "A movie beyond the bounds of depravity".
By Copperchaleu3 years ago in Geeks
How The Velvet Underground film reclaims the past
There's a brief moment in Todd Haynes' new documentary The Velvet Underground where a handheld 16mm camera swings woozily around a downtown New York hangout of the mid-1960s. The band themselves, black-clad and ineffably cool, bang away at a rendition of their song Heroin while a swirling wall of psychedelic lights are projected over them, rendering them half-invisible.
By Alessandro Algardi3 years ago in Geeks
Spencer and the ever-transfixing mystery of Princess Diana Share using Email Share on Twitter Share on Facebook
"A fable from a true tragedy," reads a title card in the dawning moments of Pablo Larraín's Spencer (2021): an early signpost, perhaps, of the fantastical twists and turns to come. This may ostensibly be a film about Lady Diana, Princess of Wales, née Spencer, but it is not, by any measure of conventional wisdom, the sort of period biopic generally en vogue in Hollywood cinema.
By Alessandro Algardi3 years ago in Geeks
Hedwig and the Angry Inch: A love story that broke taboos
Like watching the Moon landing or the moment they locked eyes with the person they love, people remember where they were the first time they saw Hedwig and the Angry Inch. The queer punk-rock musical about Plato, the Berlin Wall, love, gender, fame and self-acceptance started first as a stage show before becoming a much-loved cult film with a fervent fandom of "Hedheads" that unwaveringly adore it. Twenty years since the movie was released and 27 since John Cameron Mitchell and Stephen Trask first debuted the character at New York nightclub Squeeze Box, Hedwig has been a constant presence, being screened and performed all over the world.
By Copperchaleu3 years ago in Geeks
Ghostbusters Afterlife: Is nostalgia killing cinema?
That Hollywood is becoming lazier, and artistry ever-more sacrificed for maximum profitability, is an often-heard refrain. In 2019, all of the top 10 highest grossing films at the US box office were based on existing intellectual properties; just two decades ago, it was five. And in a lot of cases, these big-grossers – be they remakes of, spin-offs from, or long-awaited sequels to classics – play on one emotion in particular: nostalgia. They offer audiences the pleasure of past cinematic experiences, and the comfort of ensconcing themselves in something familiar.
By Alessandro Algardi3 years ago in Geeks
House of Gucci and the trouble with extreme actor makeovers
Ridley Scott's lurid new true-crime drama, House of Gucci, chronicles the betrayal and murder that tore the Gucci fashion brand apart at the seams in the 1980s and 1990s. The film's social-climbing anti-heroine is Patrizia Reggiani (Lady Gaga), who pushes her diffident husband, Maurizio Gucci (Adam Driver), to take over the family business, even if that means ousting Maurizio's uncle Aldo (Al Pacino) and his cousin Paolo (Jared Leto). Gaga is sure to be Oscar-nominated for her fiery performance. Leto's performance, though, is another matter. His woozy clowning, his sing-song mewling, and his ripe Italian accent belong in a sketch set in a pizza parlour on an old episode of The Muppet Show. But, in his defence, his acting is no more eccentric than his hair and make-up.
By Mao Jiao Li3 years ago in Geeks
A Matter of Life and Death: The most life-affirming film
Even now, 75 years after its release on 15 December 1946, A Matter of Life and Death is still the ultimate reminder of the power, beauty, and art of cinema. Audaciously creative as well as infinitely romantic, Michael Powell and Emeric Pressburger's film tells the story of World War Two British Air Force pilot Peter Carter (David Niven) falling in love with US radio operator June (Kim Hunter) as his plane burns, miraculously surviving his plummet to Earth, only to then be told by a divine messenger (Marius Goring) that he should have died and must now report to the afterlife.
By Many A-Sun3 years ago in Geeks











