America Still Has A Soul
i wake to the news john lewis is dead and i cried...
i wake to the news that john lewis is dead.
i shared the pre-announcement of a few weeks ago--and felt the impact then, but today, i wake and cry and cry and cry and cry and find the Good Trouble video on prime and pay my $6.99 and watch it and cry some more.
i'm crying all the cries i didn't cry along the journey...
...the cry for the pain of my daughter, for the fear for her life in the hospital (not for the gallbladder as much as for the covid test that i watched them do to her bravery--swabbing the back of her brain on top of all the gallbladder pain)
...for the fear for my life that i felt in the strange waiting rooms of that night and the call to you for prayers and the subsequent shaming, again, by my ex for needing to do that, that made me take the post and your kind words down
...for the fear for my son's lives in their boise and new york stories
...for the fear for black people and people of color i carry in my white woman body every time i slow down to see if the police officer is going to turn violent--if i can put my body in between that bullshit that happens to black people when racism and supremacy and fear are in the heady cocktail of red and blue flashing lights by the side of some road to nowhere but heartache.
i cried for the way my sister and i erupted in political clash on the july 5th celebration of beading on the screened in porch after champagne meant to celebrate her 50th birthday.
i cried for the way she demanded that she loved me and demeaned me in front of her family, muttering under her breath that maybe i should leave right after i’d arrived.
i cried for not leaving when her husband disrespected me so--me, the mother of black children, telling me how well we treat black people in this country.
i cried for staying.
i cried for not leaving.
i cried for loving my mother so much and not wanting to bring this drama to her home.
i cried for not being able to just relax into being with her, caring for her, celebrating our love for one another in the sweet way we eventually settled into after all the noise of the real world had fallen into just-get-through-it rhythms of steering away from truths too terrifyingly real to tell.
i cried for every fucking t2020 sign i counted on the way from her house to kansas city on the journeys down and up and back and up again to the airport that eventually delivered me to the way station filled with folks not properly socially distanced and the masked and unmasked ones of us in this humanity who still insist on the supremacy of their rights to be white.
omfg.
i cried myself to sleep and woke to see the beauty i live in and started the film again and again.
i wanted just to watch it with the discipline of just watching it the first time through.
the second time i took notes and imagined the script i might write for my beloved actor to embody this american nobility that has just left us--imagining, with grandiosity, something worthy of both the actor and the legend.
i wrote songs and imagined storylines and then stopped so i could hear the words he spoke when he was still in his embodiment.
the film starts with his silence.
the film starts with the collages of the artist expressed emotions moving through the silent announcements of who did what to make this record that tries to encapsulate the record of a man who picked cotton
and applied to go to college
and reached out to dr. king to make it so,
and loved his mother and his father and his siblings and his chickens
all the days of his life,
and collected art at the urging of his wife,
even more holy and brilliant and reverent and non-violent than he,
and raised a son,
and walked alongside a man who loved him--
a black man who loved him
and attended him
and kept him safe
and demonstrated the beauty of his service in these screenshots of what it is,
what it was,
what it will forever be
to have had the role of protector
as a black man for a black man that walked among us
who saw to our
collective
salvation.
Ohhhhhhhhhhhhhhhhhhhhhhhhhh.
though the preacher turned congressman
after garnering the attention of dr. king
and gaining what confidence comes
after losing all fear
after being beaten in the head
and bloodied in the streets
and being arrested and thrown in jail
some 45 times on the way to racial equality
in these united states,
this man is one of the reasons
america
still
has
a soul.
it has one.
this america we inherit from john lewis
and dr. king
and malcolm x
and fannie lou hamer
and rosa parks
and barack obama
and michelle obama
and the obama girls
and the dreams
Still american
that come alive with the return of the house
to the democrats
who come with all their garb
and get-on-with-it
courage
to demand
what has always been true--
that god,
herself,
created everybody's babies
to be equally endowed on this earth
with a brain
and a heart
and a truth
and a conviction
and a courage
and an allowance of time
to make their highest and best use of
while getting to walk among the siblings
of all shapes and sizes and colors
and convictions
in the grandiosity of earth
and air
and fire
and water
and a sky blanket
that
covers
them
all.
ohhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh.
i watch for the third time, then let myself open this box to type out this truth--this big truth welling up inside me as all of those things i've been given--the body, the mind, the heart, the courage, the truth to tell in its moments--and to know when to hold 'em and know when to fold 'em and know when to walk away and know when to run and know where to count what money i have collected for whatever future i live long enough to live into and to keep living into my hand and foot games of dealing one or the other as my mom keeps shuffling the cards.
we are here in this now.
i am here in this now.
i am the in the indebted gratitude i have and hold for them both--
my mother and john lewis
and all the civil rights movement
has given me to be white with.
i am at the mercy
of the ignorance that shares my skin--
that's all suited up in military garb
and running away from the naked,
open
legs
of the white woman
in the streets of oregon,
daring the assholes
who are thinking it politic
to take the protesters off the streets
in unmarked cars
and to do the unthinkable to them
just for the audacity
of showing up in oregon
to say, to speak, to demand, to remind,
to encourage folks to remember
that black lives matter.
black lives matter.
black lives matter to me.
black lives.
children's lives.
women's lives.
Immigrant lives.
my life
as a woman who has loved in ways
that require a constant coming out
as both a mother of black children
and a mid-life lesbian
at peace with her faith
and her truth
and her mother
and at a detente with her exes
and her excess
and finding this second day and counting
toward a self-quarantined guideline
post travel
where i am committed to making art
and showing up on-line
and expressing what has stayed safely inside of me
as tears
and rage
and fear--
and i am letting myself cry the salt water tears
my own body makes
when too much
is too much
and you just gotta let something drip
down your face
to give you more room
to feel the truth
of what you've done.
What you’ve survived.
And who you are now because of it.
Ohhhhhhhhhhhhhhhhhhhhhhhhhh.
in the film, there's a place where john lewis is holding the inaugural guidebook for barack obama's first term.
and he talks honestly about the crying.
he talks about crying for dr. king
and president kennedy
and robert kennedy
and his mother and father
and grandmother and grandfather
and great grandmother and great grandfather and he doesn't present stokely carmichael
or malcolm x
or all of the kids when he led sncc
or the names of the dead he counted as seatmates and marchers
who all added to the band of angels encouraging his every step up those stairs, across that street he used to run across,
to and through those days of legislating
after those days of protesting--
taking his place among the people
in the people's house
to do the business
of this nation.
he cries.
he talks about his crying.
and he shows, in every embodied picture in the moving one,
his love,
his commitment,
his courage,
his faith,
his truth,
his story of how and who to be
when one is chosen for a calling
of this magnitude--
the magnitude we are all called
to be our part of
in this american
corona
now.
we are all called to be our part of this american corona now.
we are all called to show up for our democracy like it is something worth showing up for.
we are all called to show up for ourselves
and our mothers
and this country
and put on a fucking facemask
and get in the streets to do our thing
for calling attention to the truth
of black lives that matter.
All black lives matter.
we are all called to be family
to one another
in ways that inspire
the deep work
of dismantling systemic racism
and the ways those belief systems
deeply rooted in an imaginary christ
can dissolve into the truth
the actual guy left us with:
love one another.
all over my mom's condo my sister has put the word of the lord as she sees it and understands it.
they are mass produced canvases from ross or walmart and bear the inscriptions of the bible verses that truly do call us to a truth we could discuss.
love one another as i have loved you--
this is a thing i take with me as truth
into every waiting room
or hospital room
or zoom meeting
or walk down the street
or protest march
or sanctuary at glide
Or airplane seat....
love one another as i have loved you.
today, i see the christ in john lewis--
and hear his call to each of us and all of us--
to defend honorably this democracy in crisis--
to walk courageously into good trouble,
necessary trouble
when one is called to do so--
and to do so at every injustice,
be it a personal one
or one done to a brother or sister in this world.
we are family--
all of us--
One human family
Complete with the ones that it's easy to be family with
and the ones that commit the sins of the skin--
the cruelties of violent action
be it verbal assault or physical.
there is this one
now
for each of us to find ourselves in--
and this one life
to make use of
while we
still
breathe.
142,877 of us no longer breathe in this american air.
covid has killed that many of us since we started counting back in march.
john lewis has gone to that throng--to speak the words given to him to take with him to that tribe on the mall in the american sky.
...not yet the 250,000 that gathered in that first march on washington in 1963 to demonstrate the appetite for freedom and equality we share--
but a significant amount of folk ready to figure out if they can say amen yet--
now that they can't say anything.
he leaves us, like all great leaders
who used their time on this earth
to change the world for the better--
he asks us to make use of the breath in our bodies, too—now that his is gone.
Here in this now we are called
We are called to this now--
to pick up his burden,
as legacy,
and show up for one another
and get this racist bullshit out of our american way forward toward a reconciliation
and non-violent truth telling
that saves the soul of this nation.
we have a soul, you know.
each of us individually and all of us collectively--
we have a human soul.
what is yours calling you to in this american corona now?
mine is asking me to play it again and again--
and so i will--
to watch and learn from the embodiment
of the beauty of an american black man
who knows what it is to live his truth
into manifest destiny.
go well, john lewis.
i loved you.
i love you.
thank you for your service to this nation
and to all of humankind.
blessings on your journey.
go well.
xoxoxooxooxoxoxoxxoxooxoxoxoxooxoxoxoxooxoxoxooxxo
About the Creator
Beth Benson
Transformative Eco-Artist. Writer. Midlife Lesbian. Mom. Founder of the www.crestlinecreatrixmatrix.com dedicated to using creativity as a life saving tool for the survival of sentient beings as we know them starting first, with ourselves.




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